In the morning, it's all about concealing and highlighting using the Touche Éclat pen, under the eyes, down the nose, on the brow bone, a touch on the cupids bow, and a dot on the chin is all we need to be fresh faced for shows. For such a busy week, it's important for us all to work with products that can be built upon while remaining fresh. Next up, after getting lost in Rozelle for just enough time to think we wouldn't make it, we arrived at White Bay Passenger Terminal for the Bondi Born show, which offered a refreshing sorbet palette and expert draping before making a pit stop at Surry Hills' Butter for a swift friend chicken sandwich for some very necessary sustenance.īy this point, en route to Romance Was Born at Ken Done's gallery at The Rocks, a touch up under the eyes facilitated by the car mirror and YSL's Touche Éclat pen was a priority. Following this, was Bianca Spender's opening show, where earth tones were intercepted with pops of vibrant hues as models emerged onto an expansive rust-coloured carpet. As we look back on one of the busiest weeks of the year for the Australian fashion industry, we recap the moments we needed it the most.ĭay one began on site for a beautiful Welcome to Country, where we paid our respects to the Aboriginal peoples of the Eora nation, past, present, and emerging, and whose unceded Gadigal land we would gather upon for the week. Used by the RUSSH team for years for its original erasing of shadow areas, at AAFW, all of its multi uses are utilised, from applying it as an on-the-go foundation, to sculpting features, adding highlight, and concealing any problem areas. With just one click, it serves us our beauty sleep back in a tiny gold pen. One look at our Google calendars and you'll understand exactly why the RUSSH team enlisted the help of YSL Beauty's iconic Touche Éclat Illuminating Pen to assist on the facial front. As soon as our feet hit the concrete at Carriageworks, the annual location for AAFW last Monday morning, we knew it was going to be an eventful one.
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